spatial – Loftenberg https://www.loftenberg.com Stunning interiors Mon, 20 Aug 2012 21:08:56 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.4 Actors Loft https://www.loftenberg.com/actors-loft/ https://www.loftenberg.com/actors-loft/#respond Mon, 20 Aug 2012 21:08:52 +0000 https://www.loftenberg.com/?p=7741 The loft belongs to The 5000 sqm building which was originally built for the company ‘Palco’, one of the largest manufacturers for T-shirts in Greece and is currently converted into a series of large contemporary residential lofts on the upper floors, whereas the street level is transformed into a large and open cultural space called The Hub. The design uncovers and emphasizes the building’s industrial spatial character by exposing the striking heavy and frank concrete superstructure on its interiors.

The main space of the Loft is left open and a stage has been designed to accommodate various performances. The library works as a background /theatrical prop to the stage and the kitchen becomes part of the bookshelves system. The bookshelves prop can be open and become a single seating area for the reader or close of and become a screening façade.

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Converted in NY https://www.loftenberg.com/converted-in-ny/ https://www.loftenberg.com/converted-in-ny/#respond Tue, 15 Feb 2011 22:29:02 +0000 https://www.loftenberg.com/?p=2232 It would be real hard to imagine that someone living in the heart of a city as modern as New York can actually live in a green sanctuary that exudes both environmental values and eco-friendly design. But that’s exactly the pleasant surprise that you’ll find when you step into Dominique Camacho (owner of Sustainable NYC) and Gary Hirschkron’s home.

Located in a landmarked synagogue is this grand triplex apartment with unique spatial qualities. The building was converted into five residences in the 1980s. After purchasing the home, the lucky couple turned it into a modernist’s version of the green haven that it once was.

The new layout takes advantage of the impressive double-height space and the private penthouse terrace. A custom-designed stair provides fluidity and continuity of function and spatial quality.

Renovated and redesigned using some cool design elements and materials that have low impact on the planet, the new home sports a downstairs lounge, second-floor library and a third-floor bedroom.

The main bathroom was relocated to the third floor bedroom level, allowing the mezzanine to become a spacious library/ lounge. The exterior facade to the terrace was exchanged to a custom glass sliding system allowing space to flow smoothly from interior to exterior.

Serving as the exterior extension to the bedroom, the penthouse terrace was conceived as a weaving of horizontal surfaces while also keeping to the soft transition curves as mirrored in the bathroom fritted glass wall.

The level of transparency in the construction and the extensive use of glass to bring in the modern minimalist feel have meant that there is plenty of natural ventilation which does away with lighting needs for most parts of the day.

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Cool house of the day https://www.loftenberg.com/cool-house-of-the-day/ https://www.loftenberg.com/cool-house-of-the-day/#respond Sat, 08 Jan 2011 10:48:15 +0000

ÄŒERNÍN (CZ) – Nine years of joint discussions, reflection and designing have gone into HÅ H architekti’s Villa Hermína – a supremely individual solution tailored to a specific client.

Villa Hermína has had a long genesis. It began back in 1999 with an exhibition project by HŠH architekti at Prague’s Jaroslav Fragner Gallery. The Space House exhibition addressed the theme of space as an essential constant in the process of designing and understanding architecture. The architects behind the exhibition – Petr Burian, Petr Hájek, Jan Šépka and Tomáš Hradečný – presented six houses, each demonstrating a different spatial concept, in order to emphasize the importance of space inarchitecture. It is their belief that space is often neglected in contemporary design in favour of other architectural elements such as light or materials.

And it was precisely this approach to design that captivated the future Villa Hermína client, Michal Čillík. It should be noted that at turn of the century there were still not very many good quality family houses being built in the Czech Republic. Mostresidential construction at that time consisted of substandard catalogue housing, which appealed to many inexperienced customers because of the relative ease of buying a home and the quick construction time. But it resulted in large tracts of suburban residential development without any input from architects or urban planners.

Villa Hermína is a small family house at the very end of the little village of Černín. Though not immediately obvious, the central theme of the building is the internal spatial arrangement. The entire interior is one open, continuous space. This unconventional layout originated with the client who, as an ardent film lover, wanted a special room for screening films. This eventually became the starting point for thearchitects, who were inspired to design a ‘home cinema’ by the natural incline of the land. It was from this that the entire concept for the building gradually developed. The slope on which the house stands determined the incline of the two internal ramps, which are the defining feature of the living space. The steep 21 per cent gradient also added an experimental dimension to the design.

The lower of the two ramps is fitted out as a screening room with small, suspended armchairs, whereas the upper ramp offers a never-ending cinematic panorama of the nearby Brdy Hills through a large picture window. This solution does not allow for the placement of standard furniture but this merely serves to amplify the intense spatial experience, the awareness of every movement as well as the mutual proximity of family members.

The remaining area between the inclined segments on the entrance floor is occupied by a kitchen-dining area; the children’s room and a study are on the lowest level, where there is also a spacious technical room underneath the ramp. The master bedroom, which is in fact no more than a bed, is on the highest level, where it cantilevers over the upper ramp like a ski jump. The bathrooms are situated on each floor in the straight parts along the front wall of the house.

The limited internal colour scheme is dominated by a distinctive green shade applied to the floors and parts of the ceilings, which references and continues the green vegetation in the adjacent garden. Because of the significant inclination of the ramps it was not possible to use standard floor coverings; the chosen anti-slip flooring is normally used in sports facilities. The rest of the area is in muted grey tones – a neutral backdrop for residents and visitors alike.

The internal spatial composition also affects the external form of the house. Each wall is perforated by only one opening, and the sloping roof follows the same inclination as the ramps. However, the non-traditional look of exterior owes as much to the sprayed polyurethane coating, which is both thermal insulation and rainscreen, and which has deliberately not been smoothed over. The rather unusual shade of pink is intended as a reference to the architects’ favourite building, the cavitation tunnel (1968–1975) of the Versuchsanstalt für Wasserbau und Schiffbau (Research Institute for Hydraulic Engineering and Shipbuilding) in Berlin by the architect Ludwig Leo.

Villa Hermína’s owner did not view the construction of a family home merely as a means to creating a home, but rather as the creation of an original work of art. And he managed to find just the right architects for this task.

via ~ a10.eu magazine

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